Tuesday, August 8, 2017

Cinchonsim

2017-02-28

Exercise for WCC WC

Fictionary – make up a definition for cinchonsim and use it in a story that starts with “The stars were … “

Definition: cinchonism – manifestation according to one’s desires

The stars were forming Jack’s constellations in the night time sky cinchonistically. The Moon added an aura of shimmering silver to the waves lapping the golden sands of the crescent shaped beach. Cinchonism seemed to be working for Jack’s as meditated on the visions perceived through the third eye of his inner being.

Jack toes wiggled in the wet sand as the piece of pineapple coated with poi slid sweetly down his eager throat. Soft drumming sounds came from all directions cinchonismly. The scent of passion penetrated his nose as it rose from the purple, pink, and blue carnations of the lei that lay about his neck.

Confident in sustaining the cinchonism of the present now, Jack pulled the island maiden closer and began to caress her awakening body. As she began to moan, he felt the sand around his feet harden into black lava shackles, the passionate aroma of the lei flowers stank like skunk cabbage. Drum thunder split his ears as he looked into the manical eyes of the horde of Maori warriors hungry for his flesh that circled about him. A terminal wave of dizziness swept upward from his belly as he vomited the putrid sweetness of the poison pineapple. As Jack’s vision darkened, the evening’s bliss faded as his cinchonisming passed from now to then.


It was just another dream.

Saturday, August 5, 2017

Telluride - 2017

 Zoom in of the Lizard Head. Looks like a bear looking at me to me.
View from Lizard Head Pass.
  The Lizard Head from Lizard Head Pass.
 My geocache adventure ended here, I did not find it.
 View from Lizard Head Pass.
 Zoom in of Sheep Mountain from Lizard Head Pass.
 View from Lizard Head Pass.
 Looking south up a side street for no good reason.
 Pay to park everywhere, $1 per hour, three hour max.
 West view from western edge of down town, notice Eurovan at left.
 This dog doesn't bother anyone.
 Mid town park, outside dining.
 Bar and Grill.
 Organic Middle Eastern Food in a western town.
 Community Billboard.
 Community Kiosk.
 Current incarnation of Galloping Goose provides free shuttle about town.
 The Floradora restaurant and bar where I had a $25 hamburger and beer. Been around since late 70s, maybe earlier.
Current Telluride enterprises. 
 Current new Sheridan menu.  Steakburger for $24.
 The two new Sheridans.  The one on the left was mostly a vacant lot in the late 70s.  It was the sight of to a nude sauna and behind that, bunk house lodging. 
 County court house.
 This old east end building was a grocery store back in the late 70s and early 80s.
 Looking west from east end of down town Telluride, notice metal planter forming center parking land demarcation.
 Looking west on Telluride's main street dead on to ore cart planter.
 A nice looking four wheel drive van.
 What kind of yoga is Mangala Yoga?
 The original Galloping Goose train.
 Looking west from Telluride's main street.
 Who are these people?
 Tellurid Truffles, home of $3 single dip Carmel Salt ice cream cone.
 Looking north from Lizard Head Pass south trailhead.
The Lizard Head at sunset.

Wednesday, April 20, 2016

Great Beginnings

2016-04-20 09:16 AM

Great Beginnings Exercise from Great Courses on Writing Creative Non-Fiction.


Jack and Judy - Su Manzaneros - sat astride Suena Machina locked in dream states as they flew toward the split psychedelic horizon that appeared in their fisheye view finder. “What are you doing? Where are we going? Look at me, talk to me,” barked Judy. She sure gets on my nerves, as my old man used to say, thought Jack.

Tuesday, April 19, 2016

1968, 23 North Iowa, Colorado Springs, CO

1968, 23 North Iowa, Colorado Springs, CO

The cats on the porch were feral, they lived in the vacant farm house sitting on a side street with a hanging for sale sign that never drew any lookers. Fine for me, the rent was $80 per month, I never saw the landlord, mailing the rent check. I was okayed to paint the interior as I pleased and I did. Black woodwork, carpet square flooring, red wainscot bathroom. Green kitchen with a genuine farmer’s sink, mauve walls in living room, beaded curtains separated the yellow walls of the sitting area. A single small closet in the entire house squeezed in beneath the stairs leading to the top floor that I never visited. A women’s touch covered an abandoned couch in orange burlap and fashioned curtains also of burlap. We called it the Great Pumpkin, the realization of my hippie fantasy with white cinder blocks and redwood planks and black Naugahyde cushions. A short year later I came to regretfully question my choice of abode as I found myself, alone, chasing a dream that never was. Unable to stay and enjoy, realizing my mantra – can’t wait to get there, can’t wait to leave – I began to realize I didn’t want to live Mother and Clinton’s life.

Thursday, April 14, 2016

World War III

2016-04-12 07:27 PM

World War III

The black and white photo of a World War II Paris street battle scene from the archives of Life Magazine is titled the “Liberation of Paris.”  It’s a stark contrast to today’s televised war coverage that seems to loop endlessly on worldwide television networks at all hours of the day. The grey-toned 1944 photograph lacks an accompanying sound track. Looking at the still photograph one cannot hear wailing sirens, explosions, screams of the wounded, and the ominous voice interpreting the events that accompany videos reporting recent terrorist attacks in Paris. The still photo does not show the torn colors of the chaotic victims, the drifting smoke, or the battle-ready police and soldiers as they rush about.

What is the message behind the “Liberation of Paris” photograph? Are we to believe that a few soldiers of the French Resistance forced the Nazis to surrender through street battles such as this? These soldiers are poorly equipped and in an exposed position.  No, the impetus behind the Nazis surrender was the impending arrival of the US Third Army, led by General George Patton, that consisted of the 2nd Armored Division and the US 4th Infantry Division.

What’s the message behind today’s war coverage? How can we be so unaware that World War III is happening right in front of our eyes? Nations of the major continents America, Europe, Africa and Asia are under siege by the ISIS Islamic Nation. Attacks are not reported as acts of war. Rather they are reported as acts of terror caused by resource inequality and climate change. The war with ISIS goes on and on, unacknowledged, undeclared, and unrestrained. We are like proverbial frogs in a caldron, unaware of the intensifying blaze of the secret World War III.

Monday, April 4, 2016

Easter Shot

Easter Shot


“Shoot it, shoot it!” Mother quietly urged through her frozen smile as she excitedly bobbed about – up, down, and sideways. My stepfather Clinton stood nearby grinning broadly. He’s from the hills of Kentucky, by way of World War II in Germany, and he has been around guns for as long as he can remember. “Why, when I was your age, I shot squirrels with a 22 rifle for our supper,” he once said.

How did this day start? I dressed in new Easter Sunday clothes. I’m wearing a rather flamboyant polyester blue suit created by Mother, which features a contrasting light plaid front.  She’s an ambitious seamstress out of necessity. ”Just to be different,” she said about her unusual design. I donned a white shirt, slicked my thick brown hair over to one side with a low part, and freshly polished my shoes to complete my Easter Sunday outfit.

We’re living in Denver in the mid-1950s close to Speer Boulevard and 17th Street. I sometimes play in Cherry Creek following a big rainstorm marveling at the mini sand dunes created by the passing storm. 

I don’t recall what church we went to that Easter Sunday. It is now near midday, we are at a water ditch south of Denver. Could this be the High Line Canal? We’re here so I can shoot Clinton’s 410 gauge shotgun. This is the same gun that I recall Mother and Clinton using one time when we drove the gravel roads among the fields south of Denver at night and poached a pheasant by first blinding and freezing it motionless in the spotlight of our 1953 green and cream Custom Ford sedan. Mother tucked the dead pheasant inside her blouse in case a game warden came along.

My final shot of the day was a close-up blast at a small rabbit. While our original intent was target practice, when the little critter wandered into our path, the hunting instincts of Mother and Clinton took over. Excitedly hopping about, Mother urged, “Shoot it, shoot it!” I shot it. A mass of bloody fur lay on the ground 10 feet away.

I didn’t feel thrilled. “Is this what it’s all about?” I must have wondered. Were they elated on the drive home? Did we fry and eat the rabbit for dinner? Did I help Clinton skin it, cut it open, pull its guts out, cut its head and paws off, and cut it into the serving size pieces for dinner? I don’t remember those details.

I do remember this day as the last time I shot an animal. Dressed in my Easter Sunday best, I blasted a small rabbit at near point-blank range with a shotgun. It was an Easter shot I never forgot.

Revision #1

“Shoot it, shoot it!” Mother hissed, a frozen smile on her face as she excitedly bobbed about – up, down, and sideways. My stepfather Clinton stood nearby grinning, “Why, when I was your age, I shot squirrels with a 22 rifle for our supper.” He’s from the hills of Kentucky, by way of World War II in Germany, and he has been around guns for as long as he can remember. 

How did this day start? I'm wearing new Easter Sunday clothes, a flamboyant polyester blue suit sewn by Mother, which features a contrasting light plaid front.  She’s an ambitious seamstress. ”Just to be different,” she said about her unusual design. I'm wearing a new white shirt, my thick brown hair is slicked over to one side, freshly polished shoes complete my Easter Sunday outfit.

We’re living in Denver in the mid-1950s,  close to Speer Boulevard and 17th Street. I sometimes go to Cherry Creek near downtown Denver after thunderous rainstorms and play among the mini sand dunes left by the big storms that sweep through the then unchanneled natural flowing creek. 

I don’t recall what church we went to that Easter Sunday. It is now near midday, we are at a water ditch south of Denver. Could this be the High Line Canal? We’re here so I can shoot Clinton’s 410 gauge shotgun. This is the same gun that I recall Mother and Clinton using one time when we drove the gravel roads among the fields south of Denver at night and poached a pheasant by first freezing it motionless in the spotlight of our 1953 green and cream Custom Ford sedan. Mother tucked the dead pheasant inside her blouse in case a game warden came along.

With my final shot of the day, I blasted a small rabbit. While our original intent was target practice, when the little critter wandered into view, the hunting instincts of Mother and Clinton took over. Excitedly hopping about, Mother whispered, “Shoot it, shoot it!” I shot it. A mass of bloody fur lay on the ground 10 feet away.

I didn’t feel thrilled. “Is this what it’s all about?” I must have wondered. Were they chatting happily on the drive home? Did we fry and eat the rabbit for dinner? Did I help Clinton skin it, cut it open, pull its guts out, cut its head and paws off, and cut it into the serving size pieces for dinner? Or, was the little critter blown apart so badly that we left it lay? I don’t remember those details.

I do remember this day as the last time I shot an animal. Dressed in my Easter Sunday best, blasting a small rabbit at near point-blank range with a shotgun. Yukk!  It was an Easter shot I never forgot.











Tuesday, March 29, 2016

Doyle & Cat, 1946

2016-03-27 12:03 PM

Studying the Great Courses on Creative Non-Fiction with the West Side Community Center Writer’s Club led to an assignment to write about a family photo. My rough draft composition follows.

Last summer I received a letter from an unfamiliar name stating that she was writing on behalf of Charles Boydston and asking if I would be interested in old family photos that were in his possession. If so, please call a phone number. I recognized the name Charles Boydston as an uncle that I believed was deceased. I called the number and discovered that I was talking to my cousin Brian. Brian is now in a care facility with acute arthritis. We talked for a while and I agreed to take the photos that he offered to send. Brian was named after his father and that explained the usage of his dad’s name even though I always knew him as Brian.

When the package arrived, there were two copies of the same picture. A picture that I was familiar with as I have this photo in my family album that my mother prepared for me long ago. I did not really think about them very much. I showed them to my mother, she kept one, I kept one and tossed it into the tote bag that I had used to carry some Sam’s purchases to her. Sometime later, upon unpacking Sprouts’ purchases, I discovered the photo in the bottom of the bag. At this time I noticed many horizontal scratches on it and discovered that I could scratch it by dragging a fingernail across the surface. Plus it was sharper in detail, not yellowed like my copy. I concluded it was an original and not produced by the negative emulsion photograph development process. Rather, it was closer to a tin type. But not a true tin type as it was not printed on a piece of metal. It showed sharper detail, too bad I didn’t realize this before I carelessly dropped it into the bottom of a tote bag.

This is not the real subject of the story. The family depicted shows my Father and Mother, myself – aged about one – and my sister and who was 2 ½ years older than I. I have no recollection of the event. My sister remembered everything. She was jealous of me when I came along. After that time, she was the absolute center of my Mother and Father’s attention. So while getting my version of the photo out of my family album, I noticed another photograph that I decided to write about. Titled Doyle & Cat 1946, it’s a small 2 x 3 inched black and white Polaroid looking thing that I long noticed but never really attempted to analyze. I was four years old at this time, barefoot, shirtless, wearing tot’s overalls, curly hair atop my head, squinting into the sun, holding a young cat by its tail. I wondered, “How did this pose come about?”

Whose idea was it that I pose with the cat by its tail? Was it my Father’s? Did he say “Hey, hey, hey, here, Sonny Boy, grab that cat by its tail so we can have some laughs?” He laughed in a braying sort of way, “Hee, hee, hee”, sounding like a muted jackass, sucking his breath in rapidly. Or, was it my idea, did I say, “Wait, let me grab this cat by its tail first.” Probably not, according to my sister, I could barely speak when I started first grade. Perhaps I just walked or dragged the cat around by his tail all the time. Was the cat my blanket, like Linus’s blanket?  I asked my Mother about it during a phone call recently. She said, “It was just an accident, just an accident.” This hardly clarifies anything or explains nothing, typical of my Mother’s explanations, nothing. Did the cat just fall out of the sky into hand at the same time the shutter snapped? Was I cradling the cat loving with both hands and it slipped squirmed out of my arms finally slipping free as its tail slipped through my hand at the instant the camera snapped the shot? Was my sister in the background, screaming, “You had better let go of that cat or I’ll beat the snot out of you?”

My mother volunteered, “Your sister told me that the best thing I ever did was to divorce your Dad.” I turned the question around and asked, “Does that mean that the worst thing you ever did was to marry my Dad?” She said, “There wasn’t a lot to choose from in those times and places,” further saying that she always did the best she could. This is a common justification. Doesn’t everyone do the best they can? Do you know anyone that doesn’t do the best they can? Is just another meaningless rationalization that I accepted for years without question. Happy Easter, Mom.  02:26 PM

2016-03-29 07:32 PM

The revision process starts by pasting the rough draft on my Manzano Jack blog and incorporating the suggestion made by Grammerly.

2016-03-29 08:54 PM

First Revision:

The Great Courses on Creative Non-Fiction homework assignment for session number two was to write about a family photo. This class is located at the West Side Community Center and conducted by The Writer's Club. 

Last summer I received a letter from an unfamiliar name. The writer was writing on behalf of Charles Boydston. Charles wanted to know if I was interested in old family photos that were in his possession. If so, please call his phone number. I recognized the name Charles Boydston as an uncle that I believed was deceased. I called the number and discovered that I was talking to my cousin Brian. Brian is now in a care facility with acute arthritis. We talked for a while and I agreed to take the photos that he offered to send. Brian was named after his father and that explained the usage of his dad’s name even though I always knew him as Brian.

When the envelope arrived, there were two copies of the same picture. The picture was one that I was familiar with as I have a copy of this photo in a photo album that my mother gave to me long ago. So I did not at them closely. I later showed them to my mother. She kept one. I kept the other one in the mailing envelope and tossed it back into the tote bag that I had used to carry some Sam’s purchases to her. A few weeks later while unpacking Sprouts’ grocery purchases from the tote bag, I noticed the envelope at the bottom of the bag and rediscovered the photo. At this time, I noticed many horizontal scratches and discovered that I could scratch it by dragging a fingernail across the surface. Plus it was sharper in detail, not yellowed like my copy. I concluded it was an original and not produced by the negative emulsion photograph development process. Rather, it was closer to a tintype. But not a true tintype as it was not printed on a piece of metal. It showed sharper detail, too bad I hadn't realized this before I carelessly dropped the mailing envelope back into the bottom of the tote bag.

The family depicted shows my Father and Mother, myself – aged about one – and my sister who is 2 3/4 years older than me. I have no recollection of my early life. My sister remembers everything. She was jealous of me when I came along. Until I was born, she was the absolute center of my Mother and Father’s attention. 

While comparing this version of the photo to the copy in my photo album, I noticed another photograph that I also decided to write about. Titled 'Doyle & Cat 1946', it’s a small 2 x 3 inch black and white faded print that I've always been aware of but never attempted to analyze. I was four years old at that time, barefoot, shirtless, wearing tot’s overalls, curly hair atop my head, squinting into the sun, and holding a young cat by its tail. Putting on my Creative Non-Fiction investigative hat, I wondered, “How did this pose come about?”

Whose idea was it that I pose holding the cat by its tail? Was it my Father’s? Did he say “Hee, hee, hee, here, Sonny Boy, grab that cat by its tail so we can have some laughs?” He laughed in a braying sort of way, “Hee, hee, hee”, sounding like a muted jackass, sucking his breath in rapidly. Or, was it my idea, did I say, “Wait, let me grab this cat by its tail first.” Probably not, according to my sister, I could barely speak when I started first grade. Perhaps I just walked or dragged the cat around by his tail all the time. Was the cat my blanket, like Linus’s blanket?  

I asked my Mother about it during a phone call recently. She said, “It was just an accident, just an accident.” This doesn't explain anything, typical of my Mother’s nonsensical explanations. Am I supposed to believe that the cat accidently fell off the roof into my hand at the same time the shutter snapped? Was I cradling the cat lovingly in my arms and it squirmed out of my grasp with its tail finally slipping through my hand at the instant the photo was taken?

In the spirit of considering what other people may have been present and doing at the time the photo was taken, I wonder if my sister was in the background, screaming, “You had better let go of that cat's tail or I’ll beat the snot out of you?”  Did I defiantly grin and hold on tighter? And then begin running for my life as soon as the photo was taken?

Unrelated to the photo, my Mother then volunteered, “Your sister told me that the best thing I ever did was to divorce your Dad.” I turned the question around and asked, “Does that mean that the worst thing you ever did was to marry my Dad?” She said, “There wasn’t a lot to choose from in those times and places,” further saying that she always did the best she could. This is one of her common justifications. I question this rationalization these days by asking, silently of course;  "Best for who?" and "Doesn’t everyone do the best they can? Do you know anyone that doesn’t do the best they can?" I now view the 'She always did the best she could' phrase as a meaningless explanation that I accepted without question for years.

Happy Easter, Mom.